Territory
A suite of nine albumen prints and three carbon prints, in an edition of 5 plus one artist's proof, one printer's proof and one BAT.
Camel Butte, SURF (Speeded-Up Robust Features), albumen print, 16x20 inches on a 20x24 sheet, 2020.
Near Point Arena, Haar, albumen print, 16x20 inches on a 20x24 sheet, 2020.
View of the Sun, Harris Corner Detector, carbon print, 16x20 inches on a 20x24 sheet, 2020.
View of the Moon, Scale-Invariant Feature Transform, carbon print, 16x20 inches on a 20x24 sheet, 2020.
View of Cygnus, Brute-Force k-Nearest Neighbors Matching of Scale-Invariant Feature Transform Descriptors, carbon print, 16x20 inches on a 20x24 sheet, 2020.
Trevor Paglen's new photographs position the origins of computer vision, facial recognition, and artificial intelligence in the tradition of landscape photography of the American West. Examining histories of seeing in relation to technological advancements, Paglen reveals underlying structures of power and the changing role of the image.
Capturing dramatic vistas shot around Yosemite, Black Canyon, the California Coast, and other iconic landscapes, Paglen refers to classic works by Muybridge, O'Sullivan, Watkins, Hillers, and other 19th century "frontier" photographers. While we often encounter these historical referents in a museum setting today, many of these seminal images were originally produced for the US Department of War on military "reconnaissance" surveys and are embedded with the colonial narratives of Western Expansion. What would a contemporary iteration of frontier photography reveal about our current structures of power?
With the advent of computer vision and artificial intelligence, the role of images and photographs has changed dramatically. From industrial fabrication and self-driving cars to facial recognition and biometric surveillance, computer vision algorithms are working invisibly in our daily lives. Paglen investigates the formal and conceptual logics of computer vision and AI by using modified machine vision software to produce images revealing the internal mechanisms of the algorithms. Returning to the western landscapes captured by his predecessors, Paglen translates his 8x10 negatives into digital files that can be read by AI. He then overlays lines, circles and strokes that signify how computer vision algorithms attempt to "see" by creating mathematical abstractions from images.
Near Point Arena, Haar, albumen print, 16x20 inches on a 20x24 sheet, 2020.
Camel Butte, SURF (Speeded-Up Robust Features), albumen print, 16x20 inches on a 20x24 sheet, 2020.
View of the Sun, Harris Corner Detector, carbon print, 16x20 inches on a 20x24 sheet, 2020.
View of the Moon, Scale-Invariant Feature Transform, carbon print, 16x20 inches on a 20x24 sheet, 2020.
View of Cygnus, Brute-Force k-Nearest Neighbors Matching of Scale-Invariant Feature Transform Descriptors, carbon print, 16x20 inches on a 20x24 sheet, 2020.